YouTube has become the world's largest stock music space .No, I'm not kidding: this channel is heavenly, and this one, and one more, No Copyright Music.Music For Creators is also very useful.Oh yes, and this one.Come on, and one more.I could spend the whole day like that.It is recycled, shared, transmitted.
The youtuber ecosystem has provided an ideal scenario for content providers, both audio and video.From one year to this part, professional DJs upload their sessions for others to reuse, channels that used to climb an hour of almost unknown models , today they are broadcasting directly, because YouTube, via streaming, contains more stations and in better transmission quality than any other radio on the entire planet.
This system raises a question: can I really use all that music for my project? I have the total freedom to play with it and create a commercial product with it? Well, yes and no, let's see how this new model works.
COPYLEFT: IT'S MINE BUT YOU CAN KEEP IT
First of all, it should be noted that most of these channels upload material under the Creative Commons Attribution 4.0 International.You can check the link right here.Essentially, our mission as receivers and users is reduced to citing the author and indicate if appropriate changes have been made to adapt them.All manipulation of the original must be documented, just like the original source.
In exchange for referring the person or persons responsible, we can incorporate this music into our works, even when they become successful projects.There is no copyright, there are no royalties or commercial royalties.That is, there is an unwritten law that recommends not using open source music for projects.For example, they would never reward a film for Best Original Soundtrack if you recycle music.In fact, according to the rules, you may not even enter into competition.p>
Unlike platforms such as Bensound, under this guideline you do not have to pay a user license.Creative Commons is hosted within the copyleft; In essence, this is a practice that allows free distribution, with or without modification of the work , on which a right of preservation can be demanded.It is the author who marks the " level "in rights of use.
COPYRIGHT: PAY IF YOU WANT TO TOUCH IT...OR WAIT 50 YEARS
The intellectual property law and its various updates conform a set of legal norms and principles that include both the responsibility of the author-register, regulate and supervise the original works-, at the same time that has a series of moral and economic rights .And so we have been since 1710, from the Statute of Queen Anne.
Every author has the right to register his work.In fact, the author does not expire, it is for life and is associated with a real name.We frequently fall into the confusion of associating intellectual property with exploitation rights. If you you invent an idea, once you get the patent that idea will be yours forever .
If in exchange for a sum of money, and after a regulated agreement, you decide to assign exploitation rights, another person or organization may market and profit from it.But the offer to extend this contract has a limit, different for each country-in addition to the scales marked by territorial rights-When a work becomes public domain, from here an interpreter can execute the piece without having to give explanations.
This is a constant in the music industry: we often know the singer who plays a certain piece of jazz, but not its original composer, because they have expired years ago.The author will always appear as a side note, but the star who popularize or reinterpret this piece will be the one who puts it on the radar.After all, art is mutant and permeable .
THE INTERNET ARCHIVE
Luckily, there are many means that preserve the music and also allow you to make use of it.Just listen to it, as is obvious.The Internet Archive has a record of 2.5 million free-of-use audio pieces : speeches, radio shows, home performances, professional recordings, everything.
As in Public Domain 4U, the Internet Archive has a double function: Art is recorded, observed and preserved over time and offered to new generations to become something new.The website has the option to download in different formats.Once in our possession, we can now produce new pieces from it.
NOISETRADE
NoiseTrade asks the user to download that, in return, drop some money or at least allow to collect some user data (email) so that the artist or the platform can recommend similar music. A very model similar to Bandcamp where the fan feeds the authors' portfolio directly, without intermediaries.
Unfortunately, NoiseTrade has not achieved Bandcamp's success- 225 million dollars paid to artists since its founding in 2008 -, nor does it have such a large catalog-610,000 albums guarantee it-.
Of course, there are many free songs and it is one of the most common ways to make yourself known.The old «pay me in visibility» is for those who do not have resources.On the contrary, if you are a creator, you get a widget to insert and user page from which you can promote your tracks, demos, playstis and others.
FREE MUSIC ARCHIVE
Free Music Archive acts similarly to the previous ones, but has a huge and high-fidelity library. And all for free; No half measures.Free Music Archive is a true oasis of Creative Commons philosophy, the home of free creators who take as much as they offer.
JAMENDO
Jamendo is a platform similar to SoundCloud and Bandcamp: the creator uploads his MP3 file and any user can download it.Some files remain protected through a payment gateway, but it is very uncommon for artists to block their files., always have previous samples and the possibility to listen to the songs from the browser , without downloading anything.
AUDIOBLOCKS
AudioBlocks has one of the most varied stocks on the market: You can download a minimal techno track or an interpretation of any jazz standard performed by a big band of high flights., each track becomes a use contract: if you want to obtain a commercial benefit, you will have to rent a use license.
On the other hand, if you only want to use it in non-profit projects, for mere diffusion or private use, you can download that song as many times as you want.There is also the possibility of joining the platform and paying a subscription with the that you can use any web content -even when the premium service expires-the platform also has its video link, VideoBlocks.
MUSOPEN
Musopen is aimed at musicians and lovers of classical music.Royalty free, of course.You can search for the type of piece, composer, performer, instrument, tempo or format. This collaborative project is ideal for teachers of music, choreographers or videographers looking for professional performances and created by a apasioanada community.
In Musopen you can make a small contribution Monetary to maintain the project.Everything was born from a Kickstarter where you aspired to enjoy the great classic pieces without worrying about royalties or copyrights at half expiration.The idea, of course, is to use pieces of public domain with which to create a huge library for all Internet users.
And, like the old saying, there are not all who are although they are all who are.Do not forget to dive on the Internet: You do not have to pay a real fortune to musicalize a project -o to enjoy good music-.
Images | Pixabay
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